TRASH

She felt it the moment he landed on her. Foreign, full of forbidden fluids dripping all over, the scrunch of cellophane clung with the streak of a dirty powder rubbing her sides, his very touch making her feel unholy, unclean.

Think of the sweetness, she ordered herself, hoping not to fall apart.

‘Ironic, ain’t it, the clothes we wear?’ he said after shuffling into something nowhere close to comfortable. ‘Me in black, dressed like a flippin’ Jihadist, you all in white.’

‘It’s quite fitting actually,’ she snapped back. ‘In our culture, we wear white at funerals.’

‘Sure that’s not so you can look like one of them virgins for your fellas up there,’ he couldn’t help saying.

‘Rubbish,’ she reviewed, tightening up. The bagginess of this lot’s morals, now that was one thing she wouldn’t miss. She could smell the cheapness in him, the reek of tastelessness.

‘You ever wonder,’ he said, like it was a lazy day they’d wake up from soon.  ‘The words you heard in your mosque, the music I heard in them clubs, whether they meant anything?’

She did wonder. When you were in a nowhere town, in your nowhere place, you had to believe in something, that whatever answer may be blowing in the wind was more than the litter in the breeze.  Drown out the rot with dreams of sweetness.

‘It’s in everything we do,’ she said.

They both heard the grind of the wheels, the screams of the ones they feared, hated, or longed to be accepted by, suddenly so much like them, all thrown into a pile of soon to be nothingness.

‘I always thought we was different, you and me’ he sighed. ‘Guess we both got crazed in our own ways knowing we’d end up in the same dump, huh?’

He somehow felt a little less darker edging closer to her blushing whiteness, an unexpected togetherness at the end of it all, looked on by passing seagulls as just another kooky pair of no consequence, the lovers on the street who left it too late to share the times they had.

By Shihab S Joi
Hat-doff: Bret Anderson, Richard Oakes

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A CASE OF YOU

“If you want me I’ll be in the bar.”

All these years in the law business and that gag never got old.

“Can the defence and the prosecution approach the bench,” I sighed wearily, feeling like the black female Judge at the end of her tether I’d seen in every movie.

Who are you prosecuting?”

“You.”

“Me?”

“No,” the prosecutor said, sheepishly. “You.”

“And I take it that means you,” I turned to the defence attorney, already looking as lost as a star in the darkness, “are defending…”

“You.”

“Right,” I really needed that drink. “And where is the defendant?”

“Absent your honour, but the defence would like to call this woman we met,” the lawyer’s cheeks were two roses. “She has a mouth like my client. She knows her life and her deeds.”

“What the devil?”

The confusion spread across the courtroom like wine spilled in a bathtub. With no one in the docks, the sketch artist busied herself by doodling cartoon images of countries she had no desire to ever go to.

If the woman braying for blood was clutching at straws, the prosecution calling upon a lonely painter as witness was the last one.

“I live in a box of paints,” he announced.

“What is the charge here?” I thundered.

“Transfusion, your honour.”

I threw question marks at them, wishing they could be daggers.

“You intoxicated without permission.”

“Objection, your honour! This is a straightforward case of love touching mutually consenting souls.”

“You put wine in the veins instead of blood!”

“Surely you see this was a holy act. By an unsung goddess, perhaps…”

I came down hard on the bench like I was brandishing the warhammer of Zillyhoo. No one brings god into my courtroom.

It was at the bar that I saw you, in the blue TV screen light. There was nothing to judge, no one to blame. Only a feeling that poured out of every part of me, replaced by something so much sweeter.

And it knocked me off my feet.

By Shihab S Joi
Hat-doff: Joni Mitchell